Barbican Meets: Daisy Evans
From Fairy Queen to legendary King – we speak to director Daisy Evans about her upcoming production of King Arthur.
From Fairy Queen to legendary King – we speak to director Daisy Evans about her upcoming production of King Arthur.
In a special live performance piece for grand pianos, electronic and voice, Jace Clayton aka DJ /rupture revisits the work of composer Julius Eastman.
Helen Grime is one of the most striking compositional voices to emerge in British classical music in the 21st century.
Esa-Pekka Salonen is best-known to London audiences as Principal Conductor of the Philharmonia Orchestra – but he is also one of the most dynamic of the current generation of Finnish composers.
In this ScreenTalks from 2018, Kasi Lemmons discusses her debut film, Eve's Bayou.
What makes a memorable and successful pitch? Get a pitching masterclass and learn how to connect with your audience.
Artist and choreographer, Trajal Harrell, joins our curator Leila Hasham in conversation as he prepares to open the first major survey of his work in the UK, Trajal Harrell: Hoochie Koochie.
Our Managing Director Sir Nicholas Kenyon introduces a new initiative in the north-west of the City, Culture Mile.
Jenny Gilbert explores a new production by director Conall Morrison, who has combined two masterpieces of the early 19th century to form a remarkable piece of music theatre.
Discover more about Harrell’s work and inspirations from MoMA associate curator, Ana Javenski
In this ScreenTalk from 2008, Park Chan-Wook talks to film journalist Damon Wise about the romantic comedy, I’m A Cyborg, But That’s OK
Combining architecture with geology, our new Barbican Maker, Kate Trouw, discusses the inspirations behind her striking ceramic jewellery.