Log in to access bookings, re-print pdf tickets, update email preferences and check out faster. Please note you may need to update your password. More information
What’s on
Theatre & dance
Event
Theatre & dance
Anything Goes
–
Anything Goes is ‘back and better than ever!’ and ‘Remains the best show in town’ (The Times). This limited season of the musical sensation must end 3 September.
Event
CinemaTheatre & dance
Outdoor Cinema: Princess Mononoke
An epic battle between animals and humans is the backdrop of Hayao Miyazaki’s stunning animated fantasy.
Event
Theatre & dance
David Finnigan: You’re Safe Til 2024
–
Armed with a projector, family photos and a pile of sand, playwright David Finnigan relates how 75 hours in modern Australia came to collide with an epic sweep of history during this compelling show.
Event
Theatre & dance
The Centre for the Less Good Idea: To What End
–
Six inspiring short performances blend dance and live music, developed by South African artists at William Kentridge’s leading centre for experimental, collaborative and cross-disciplinary arts.
Event
Theatre & dance
Royal Shakespeare Company/Joe Hisaishi: My Neighbour Totoro
–
A global premiere as Joe Hisaishi and the RSC bring Studio Ghibli’s enchanting classic coming-of-age film to the stage in a landmark new adaptation in collaboration with Improbable and Nippon TV.
Event
CinemaTheatre & dance
Mayerling
Live on screen, dangerous desires, family secrets and political intrigues – a true story told through ballet.
Event
Classical musicTheatre & dance
Looking West
Mark the 150th anniversary of Ralph Vaughan Williams’s birth with new concert-theatre piece Looking West.
Event
Talks & eventsTheatre & dance
Royal Shakespeare Company: Teacher CPD Day
A one-day course for teachers exploring cross-artform approaches based around the RSC’s new production.
Event
Theatre & dance
Hyde & Seek by Tristan Fynn-Aiduenu
–
Who are we? And who do we want to be?
Event
Theatre & dance
Everyman by Carol Ann Duffy
–
Everyman asks whether it is only at the end that we can truly understand our lives, exploring ‘both the frantic dizziness of a money-driven world and the beckoning finality of death’ (Guardian).