Tim Hecker with the Konoyo Ensemble

+ Kara-Lis Coverdale

Tim Hecker standing in a temple

Digital and organic sonics come together in a special performance from the electronic producer accompanied by a Gagaku court ensemble.

From sounds so gentle as to be almost floating on air to heavy unworldly tonality, Hecker’s performance of music from his forthcoming record Konoyo – a collaboration with traditional Japanese Gagaku musicians from the on shō, ryuteki and hichiriki ensembles – forms a hybrid recalling electronic abstractions and psychedelic American minimalism. Taking his explorations of noise, dissonance and melody into new territories, the natural sounds of the instrumentation both ring freely and are treated with Hecker’s signature brutal sounds. 

Opening the evening, regular collaborator Kara-Lis Coverdale creates colourful and dense arrangements with a unique approach to melody, harmony and sonic detail.
 

This performance will begin promptly at the advertised start time and is expected to finish by 10.30pm

Subject to change

Produced by the Barbican in association with Bird on the Wire

Supported by the Great Britain Sasakawa Foundation 

Young Barbican

£5 (subject to availability)

14–25? Become a Young Barbican member.

Members and Members Plus enjoy 20% off ticket prices for this show (subject to availability)

*Excludes £3 booking fee

Beat the queues

Members enjoy priority booking for this show, discounts on selected shows & members-only events including pre-show DJ sets in the Members’ Lounge

Discover

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Follow our regularly updated Electronic Music playlist for a sample of the music you'll hear across our programme. 

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Tokyo-based journalist Ian F Martin looks back through the decades to see who was responsible for the genre-defining music emerging from the Japanese underground scenes over the past 40 years.

Supported by

Sasakawa Foundation

The Great Britain Sasakawa Foundation logo

Barbican Hall