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Theories of Forgetting: Hollie Harding

LSO Jerwood Composer+

Abstract beachscape

Image © Thomas Jackson

Explore the themes of time and memory in an evening of contemporary music for clarinet, accordion, cello, fixed media recordings and live electronics curated by LSO Jerwood Composer+, Hollie Harding.

Memories of places are transcribed into music in Pauline Oliveros’ Mnemonic III and Bent Sørensen’s Looking on Darkness. A performer tests his memory across a three-month process of recording and re-recording in James Saunders’ overlay (with transience). And Joanna Bailie’s Trains makes use of field recording as a preserved memory, capturing a moment in time. Plus there are UK and London premieres by Christophe Bertrand and Johan Svensson alongside Laurence Crane's mesmeric Riis.

Hollie Harding shares her new work Theories of Forgetting, a multi-movement piece exploring personal memories involving sound. She revisits moments and musical objects from her past, using found materials unearthed from forgotten Dictaphone cassette tapes, past pieces, captured places in field recordings, and faded and transformed childhood memories.

Please Note

There will be a stage and audio re-set during the interval, with some loud noises in the Hall. The second half of the concert includes flashing lights and dim lighting. Please get in touch or speak to a steward on the day if you have any questions.

LSO Jerwood Composer+ is generously supported by Jerwood Arts

The scheme supports early career composers in programming, planning and delivering chamber-scale concerts in the Jerwood Hall at LSO St Luke’s, including work of their own developed through the scheme.

LSO St Luke's