When the whole concert hall becomes the stage: David Lang's the public domain is performed by 500 people, followed by Philippe Manoury’s Ring with François-Xavier Roth, and Scriabin’s Poem of Ecstasy.
Enter into the discordant and energetically disorienting sound world of Philippe Manoury’s Ring, written for large ‘spatialised’ orchestra and extended percussion. Steel drums, timbales and anvils all feature in this new musical experience, as LSO musicians are scattered throughout the Barbican Hall.
Scriabin’s Symphony Fourth Symphony, The Poem of Ecstasy, depicts a cosmic spirit’s assent into consciousness, the ‘joy of liberated action, a divine play of worlds’ according to the composer.
The concert begins on the foyers with a performance of David Lang's the public domain, directly followed by Phlippe Manoury's Ring whilst the audience members take their seats in the hall.
The performance is expected to finish around 8.30pm
* Supported by the Aaron Copland Fund for Music
† Commissioned via the Panufnik Composers Scheme, generously supported by Lady Hamlyn and the Helen Hamlyn Trust
^ The performance of Philippe Manoury's Ring is generously supported by Diaphonique, Franco-British fund for contemporary music in partnership with the Institut français du Royaume-Uni, the Sacem, the British Council, the French Ministry of Culture, the Bureau Export, the Institut français and the Friends of the French Institute Trust.
£4 booking fee per online/phone transaction.
No fee when tickets are booked in person.
Booking fees are per transaction and not per ticket. If your booking contains several events the highest booking fee will apply. The booking fee may be reduced on certain events. Members do not pay booking fees.
Take part: the public domain
The Barbican Hall is located within the main Barbican building. Head to Level G and follow the signs to find your seating level.
Silk Street, London
The Barbican is widely accessible by bus, tube, train and by foot or bicycle. Plan your journey and find more route information in ‘Your Visit’ or book your car parking space in advance.
Spaces for wheelchair users in row U at the rear of the stalls (up to sixteen, depth of row 180cm) and the back row of the circle (four), both with fold-down companion seats. Some seats in row S of the stalls for people with very limited mobility.
Assistance dogs may be taken into the concert hall where there are a limited number of suitable seats in row G of the stalls. If you prefer, you may leave your dog with a member of the cloakroom staff during the performance.
There is an induction loop in the concert hall. You can use this by adjusting your hearing aid to the ‘T’ setting.