Portico Quartet Ensemble with Hannah Collins, Terrain: The Earth Beneath My Feet - Digital Programme
Mercury Prize nominated Portico Quartet return to the Barbican with an extended ensemble, presenting the world premiere performance of a new audio-visual work in collaboration with Turner Prize nominated artist Hannah Collins.
Based in London, Portico Quartet have defied easy categorisation over the course of seven studio albums, from their 2007 Mercury Music Prize nominated breakthrough Knee-Deep in the North Sea, to their most recent release, 2021’s Monument, which showcased the band at their most focused and dance music influenced. Tonight’s performance sees them revisit their long form piece Terrain, composed in 2020.
Hannah Collins was born in London in 1956. From 1989 to 2010 she lived and worked in Barcelona, and today lives between London and Almeria, Spain. Collins has received many awards including a Fulbright Scholarship and was nominated for the Turner Prize in 1993. Her body of work includes photographs, films, written texts and books. She is known for her work in expanding the fields of photography and film. Her works are embedded in historical and social frameworks with a wide range of subjects and geographical locations. Her involvement in a body of work often continues over many years. Most recently she curated the exhibition We Will Walk - Art and Resistance in the American South at Turner Contemporary in Margate UK in 2020.
Produced in collaboration with editor Rafael Ortega, this performance brings Portico Quartet’s Terrain and Hannah Collins’ The Earth Beneath My Feet into a gently resonant dialogue. Presented with a specially commissioned prelude, the music is a suite in three parts: Terrain I, II & III are all subtly different, but a short rhythmic motif that repeats is the starting point in all three movements. Portico Quartet’s Jack Wyllie explains: ‘We’ve always had this side of the band in some form. The core of it is having a repeated pattern, around which other parts move in and out, and start to form a narrative. We used to do longer improvisations not dissimilar to this around the time of our second record Isla. On Terrain we’ve really dug into it and explored that form’.
Terrain I was the first piece they worked on and it started with a hang drum pattern, improvised by drummer Duncan Bellamy, who added cymbals and synthesiser. From there on it grew, Wyllie adding saxophone, another synthesiser section and strings. Wyllie explains, ‘There is a sense of conversation between us both, in that someone presents a musical idea, the other person responds to it with something else, which would then be responded to again... until it feels finished. These responses are often consonant with each other but there is also a dissonance to some of this work. The music slowly evolves through these shared conversations.’
Tonight’s unique collaboration takes the concept of a shared conversation even further. The Earth Beneath My Feet is Collins' original title for a work she made in the Atacama Desert in Chile, from which this new collaboration with Portico Quartet is a development. She travelled to visit Carnegie Institute’s Las Campanas observatory, situated in the driest environment on earth, which is home to some of the worlds most sophisticated telescopes, capable of looking to the edges of our ever-expanding Universe.
Her images examine the instruments themselves, the work of the astronomers as they attempt to look further into deep space and the digital languages used to interpret far away phenomena such as black holes, as well as the ancient surrounding landscape where both the largest and smallest scale mining operations in the world take place. They are both a visualisation of the ways in which we are using up the earth that we live upon, as well as a poetic examination of space beyond us.
History is visualised – from human beings’ ancient interpretations of place as rock drawings found in the surrounding desert, through to our current renderings of imagery that allows us to perceive distant phenomena many light years away. The human body is itself made up of the material of the universe we are looking at.
Terrain: The Earth Beneath My Feet
Prelude (composed by Duncan Bellamy & Jack Wyllie)
(composed by Duncan Bellamy & Jack Wyllie)
Duncan Bellamy drums, sampler
Jack Wyllie saxophone, piano
Simmy Singh violin
Joy Becker violin
Laura Senior violin
Francesca Ter-Berg cello
Taz Modi keyboards, bass
Delia Stevens hang, piano
The Barbican Hall is located within the main Barbican building. Head to Level G and follow the signs to find your seating level.
Silk Street, London
The Barbican is widely accessible by bus, tube, train and by foot or bicycle. Plan your journey and find more route information in ‘Your Visit’ or book your car parking space in advance.
Spaces for wheelchair users in row U at the rear of the stalls (up to sixteen, depth of row 180cm) and the back row of the circle (four), both with fold-down companion seats. Some seats in row S of the stalls for people with very limited mobility.
Assistance dogs may be taken into the concert hall where there are a limited number of suitable seats in row G of the stalls. If you prefer, you may leave your dog with a member of the cloakroom staff during the performance.
There is an induction loop in the concert hall. You can use this by adjusting your hearing aid to the ‘T’ setting.