
Event information: Joint
About the show
Weaving together personal experience, social history and real-life cases, Joint is a powerful, multi-media account of Joint Enterprise law by one of Britain's most exciting poets.
“I didn’t know that by sitting in the kitchen I’d be hunted down, arrested, convicted, on the same charges as him. And you’d be too.”
Joint Enterprise is a controversial common law doctrine which has seen people convicted of participating in a crime, where their presence alone is participation.
Increasingly challenged, it is part of a history of collective punishment that systematically targets racialised and working-class people that can be traced from colonialism through to today. But how does it work? And how can it be defeated?
A note from Jay Bernard
I have been working on Joint since 2022. It has evolved from a single monologue to this new work in progress here at the Barbican, with three actors, music and audio-visual design. Joint looks at the legal practice of Joint Enterprise, in which secondary parties can be convicted on serious charges as though they were the principal actor. Joint Enterprise has been used in racist, classist and sexist ways in the criminal justice system, leading to long sentences for many people who have done very little.
As someone who frequently reads as a solo poet and whose practice borrows heavily from oral histories and documentary, patterns of speech and the qualities of the voice have become key to creating any new work. I often begin with something I have heard expressed in an interesting way, and that was the case with this play: I happened upon a demo in central London and heard affected people speaking about their loved ones. So I'd be interested to hear from audience members how the ideas in Joint have been communicated, whether the characterisations work, and what knowledge they come away with regarding the history and mechanics of joint enterprise.
Thanks:
With thanks to Becky Clarke and Nisha Waller as researchers, and Gloria Morrison and Yusuf Solley.
Company
Performers
Abe Jarman
Indra Ové
Jadesola Odunjo
Creative and production team
Jay Bernard Writer
Jo Tyabji Director
Anna Clock Composer & Sound Designer
Coral Messam Movement Director
Yemurai Varaya Associate Movement Director
Heather Pasfield AV Designer
Marty Langthorne Lighting Designer
Moses Ssebandeke Camera Operator
Shankho Chaudhuri Design Consulant
Stella Kailides Stage Manager
Post-show panellists
Nisha Waller (also Specialist Consultant)
Becky Clarke
Event information
Running time: approximately 60-70 minutes, no interval
Age guidance: 12+
Captioned performance, Tue 18 Mar
Captioned by Jeanie Barnsley. Take a look at our Accessible Events page to find out more about the accessibility of our venues.
Accessibility
If you're a wheelchair user, please contact our box office on 020 7101 1188 (Mon-Sun 10am - 5:30pm) to book a ticket at a Pay What You Can price.
The Fuel Behind the Fest: unpacking Joint Enterprise, in conversation with Jay Bernard, Nisha Waller and Becky Clarke
Tue 18 Mar, following the 7.45pm performance
Investigate the debate surrounding joint enterprise law and the real-world advocacy that sparked this theatre piece. Featuring Becky Clarke, Senior Lecturer in Sociology at Manchester Metropolitan University, and Nisha Waller, academic researcher and Racial Justice Lead at APPEAL, a legal charity dedicated to fighting wrongful convictions and advocating for change in the criminal legal system. Free to same-day ticket holders.
There are four post-show talks at FuelFest, one with each of the artists whose work makes up the programme. Discover more here.
Biographies

Explore FuelFest
FuelFest is a celebration of 20 years of fresh work for adventurous people by inspiring artists.
The festival comprises four new and ambitious works in progress from Racheal Ofori, Will Adamsdale, Jay Bernard and Melanie Wilson that will take place in our experimental studio space, The Pit.
Audiences are invited on an adventure to experience these four brand new performances. Spanning multiple artforms, each piece grapples with a big question of our time.
Following two decades of Fuel collaborating with artists and producing imaginative, trailblazing work that has travelled around the globe, FuelFest will create space for artists to experiment and audiences to experience new ideas.
Pay What You Can
FuelFest is a festival of Pay What You Can events. Simply choose the price closest to what you would like to pay during the the checkout.
Racheal Ofori: Beauty is the Beast
10—12 Mar
Get a first look at this brand new satire, written and performed by Racheal Ofori, that explores the harsh costs of beauty – from scalp-burning perms to injectables, from detox teas to fat injections.
Will Adamsdale: AI, AI, Oh… (or how I wrote a hit sitcom with ChatGPT but we’re not talking now)
13—15 Mar
Perrier Comedy and Fringe First winner Will Adamsdale presents a new autobiographical show about escape, creativity and technology.
Jay Bernard: Joint
17—19 Mar
Weaving together personal experience, social history and real-life cases, Joint is a powerful, multi-media account of Joint Enterprise law by one of Britain's most exciting poets.
Melanie Wilson: Oracle Song
20—22 Mar
A poetic and intricate listening experience that sees the award-winning artist collaborate with an AI machine to explore the complexity of human and animal relationships.
Interview

FuelFest: Exploring the big questions of our times
Discover more about FuelFest and the four ambitious work in progresses performances make up the festival in this article with Kate McGrath, Fuel’s Artistic Director and CEO.
About Fuel
Fuel leads the field in independent producing in the UK’s live performance sector, working with brilliant artists to explore urgent questions, to shine light on how we relate to each other and the world around us, and to tell untold stories by under-represented voices. From theatres to car parks, from schools to public spaces, Fuel produces high quality new theatre that reaches diverse audiences across the UK and internationally. Fuel collaborates with outstanding theatre makers with fresh perspectives and approaches who produce shows, performances or experiences which have direct and playful relationships with their audiences.
Fuel is celebrated for its pioneering producing model that develops innovative ideas through attentive collaboration, a spirit of curiosity, and an emphasis on trust. Fuel has developed a reputation for spirited and surprising new theatre, deep relationships with a wide range of artists, and passionate commitment to inclusion and care for young and diverse audiences.
Fuel was founded in 2004 and is led by Kate McGrath. Since its story began, Fuel has produced shows, festivals, films, installations, podcasts, apps and books. In doing so, Fuel has supported the artistic development of over 120 lead artists or companies and reached more than 1.5 million people, live and digitally, hosted over a hundred internships and been recognised with awards for its work. Fuel is currently working with artists and companies including Khalid Abdalla, Will Adamsdale, Jay Bernard, Common Wealth, Inua Ellams, Lucian Msamati, Racheal Ofori, Toby Olié, Joelle Taylor, Uninvited Guests and Melanie Wilson. Fuel is supported by Arts Council England as a National Portfolio Organisation, the Leche Trust, the Garrick Trust, the Backstage Trust, the Esmée Fairbairn Foundation and the John Ellerman Foundation.
‘The maverick theatre group that pushes new boundaries and makes theatre production sexy’
The Guardian on Fuel
‘Pioneering production company Fuel pushes the boundaries of form and scale.’
The Stage
Feedback
We’re planning to ask for your opinions in a range of ways after the show – you’ll be able to write it down and add it to our feedback board in the foyer or send it to us via the link below.
Lots of the Fuel team will be around for a chat too, so please do come and talk to us – we’ll be wearing Fuel badges. We might also have some sweets to say thanks!
All the shows you’ll see at FuelFest are works in progress. Your feedback is incredibly useful for artists as they develop this work so it is very much appreciated. Your thoughts will shape the future of these projects!
Fuel staff
Development Producer Alex Ferguson
Executive Assistant and Assistant Producer Angela Bryan-Brown
Senior Producer Caitlin Gleeson
Head of Finance David Lewis
Producing Intern Dylan van Breda
Executive Director Ine Van Riet
Clore Leadership Fellow JC Niala
General Manager Joanne Williams
Artistic Director and CEO Kate McGrath
Senior Producer Luke Holbrook
Programme Assistant Makeda Newman
Engagement Producer Marina Sacco
Production Manager Tanya Stephenson
Assistant Producer Todun Iluyomade
Communications Manager V Reynolds
From the Barbican
Barbican Centre Board
Chair
Sir William Russell
Deputy Chair
Tijs Broeke
Deputy Chair
Tobi Ruth Adebekun
Board Members
Randall Anderson, Munsur Ali, Michael Asante MBE, Stephen Bediako OBE, Farmida Bi CBE, Zulum Elumogo, Jaspreet Hodgson, Nicholas Lyons, Mark Page, Anett Rideg, Jens Riegelsberger, Jane Roscoe, Despina Tsatsas, Irem Yerdelen
Clerk to the Board
John Cater and Kate Doidge
Barbican Centre Trust Chair
Farmida Bi CBE
Vice Chair
Robert Glick OBE
Trustees
Stephanie Camu, Tony Chambers, Cas Donald, David Kapur, Ann Kenrick, Kendall Langford, Sir William Russell, Sian Westerman
Directors
Chief Executive Officer (Interim)
David Farnsworth
Deputy CEO (Interim)
Ali Mirza
Director of Development
Natasha Harris
Head of Finance & Business Administration
Sarah Wall
Director for Buildings & Renewal
Dr Philippa Simpson
Director of Commercial
Jackie Boughton
Director for Audiences
Beau Vigushin
Director for Arts and Participation
Devyani Saltzman
Executive Assistant to CEO
Hannah Hoban
Theatre Department
Head of Theatre and Dance
Toni Racklin
Senior Production Manager
Simon Bourne
Producers
Liz Eddy, Jill Shelley, Fiona Stewart
Assistant Producers
Mrinmoyee Roy, Mali Siloko, Tom Titherington
Production Managers
Jamie Maisey, Lee Tasker
Technical Managers
Steve Daly, Jane Dickerson, Nik Kennedy, Martin Morgan, Stevie Porter
Stage Managers
Lucinda Hamlin, Charlotte Oliver
Technical Supervisors
James Breedon, Charlie Mann, Josh Massey, Matt Nelson, Adam Parrott, Lawrence Sills, Chris Wilby
Technicians
Kendell Foster, David Kennard, Burcham Johnson, Bart Kuta, Christian Lyons, Kieran Poynter, Fred Riding, Fede Spada, Matt Turnbull
PA to Head of Theatre
David Green
Production Administrator
Caroline Hall
Production Assistant
Ashley Panton
Stage Door
Julian Fox, aLbi Gravener
Creative Collaboration
Head of Creative Collaboration
Karena Johnson
Senior Producer for Learning and Participation
Oluwatoyin Odunsi
Senior Manager
Sarah Mangan
Producer
Josie Dick
Assistant Producer
Carmen Okome
Marketing Department
Head of Marketing
Jackie Ellis
Deputy Head of Marketing
Ben Jefferies
Senior Marketing Manager
Kyle Bradshaw
Marketing Manager
Rebecca Moore
Marketing Assistants
Antonia Georgieva, Ossama Nizami
Communications Department
Head of Communications
James Tringham
Senior Communications Manager
Ariane Oiticica
Communications Manager
HBL
Communications Officer
Sumayyah Sheikh
Communications Assistant
Andrea Laing
Audience Experience
Senior Audience Experience Managers
Oliver Robinson, Liz Davies-Sadd, Ben Skinner
Ticket Sales Managers
Jane Thomas, Bradley Thompson, Lucy Allen
Ticket Sales Team Leaders
Molly Barber, Alex Steggles, Máire Vallely, Nicola Watkinson, Charlotte Day
Operations Managers
Tabitha Fourie, Aksel Nichols, Ben Raynor, Samantha Teatheredge, Hayley Zwolinska
Operations Manager (Health & Safety)
Mo Reideman
Audience Event & Planning Manager
Freda Pouflis
Venue Managers
Catherine Campion, Scott Davies, Maria Pateli, Lotty Reeve, Shabana Zaman
Assistant Venue Managers
Sam Hind, Bronagh Leneghan, Melissa Olcese, Daniel Young
Young Crew Management
Dave Magwood, Rob Magwood, James Towell
Access and Licensing Manager
Rebecca Oliver
Security
Operations Manager
Naqash Sheikh
Audience Experience Coordinator
Ayelen Fananas