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Shostakovich Quartets: Intimate Portraits, Part 5

A series with the Carducci Quartet

The Carducci Quartet standing in a line in front of an old, dilapidated building, their instruments in cases on the floor beside them.

Our Shostakovich cycle began with the Quartet No 1, and ends, inevitably, with No 15, staring death resolutely in the face, a work heart-stopping in its searing intensity.

Empowered by the great adagios of late Beethoven, Shostakovich’s quartet farewell is music for which isolation holds no terrors: five sombre Adagios (the composer’s instruction was to play so slowly ‘flies drop dead in mid-air’) plus a Funeral March. The Quartet No 7 remembers Shostakovich’s beloved first wife Nina, finally retreating into affectionate reminiscence, then grateful repose. First, though, comes the Quartet No 10 composed in 1963 when, creatively restored, Shostakovich gleefully dedicated it to his fellow composer Mieczysław Weinberg, who had only notched up 9!

The Kyan Quartet shoulders the Quartet No 7, while the Carduccis square up to the immense challenges of No 15. ‘A constant questioning’ is a hallmark of their Shostakovich says The Arts Desk, and no quartet raises more profound questions.

This performance will end at approximately 9.30pm with a 20-minute interval after Quartet No. 7.

Produced by the Barbican

Milton Court Concert Hall

Location
Milton Court Concert Hall is located within the Guildhall School of Music and Drama and is approximately a 5 minute walk from the Barbican entrance on Silk Street.  

Address
Milton Court
Silk St, London
EC2Y 9BH

Nearby public transport
We are within walking distance from a number of London Underground stations, the closest being Barbican, Old Street, St Paul’s and Moorgate. The nearest train stations are Liverpool Street and Farringdon. Bus Route 153 runs directly past the Barbican along Chiswell Street

Car and bicycle parking
We have free bicycle spaces and paid car parking spaces available