Creative Careers

Rebecca Lewin is Exhibitions Curator at Serpentine Galleries, London, where she has curated shows with Wade Guyton, Grayson Perry, Lucy Raven, Etel Adnan, DAS INSTITUT, Michael Craig-Martin, Duane Hanson, Pascale Marthine Tayou, Cerith Wyn Evans, Ed Atkins, Martino Gamper and Wael Shawky. She has worked on outdoor commissions by Michael Craig-Martin and Bertrand Lavier and the 2013 Serpentine Pavilion by Sou Fujimoto. She has produced independent exhibitions, including A Partition at Cell Project Space (2016), The Palace of Green Porcelain at Breese Little Gallery (2013) and Pertaining to things natural… at the Chelsea Physic Garden (2012). Her essay on the Lucy Raven exhibition and on the collaborative practice of DAS INSTITUT were published in 2016 by the Serpentine Galleries and Koenig books, and a conversation with Allison Katz was published on moussemagazine.it in 2016. She is also collaborating on a forthcoming project with Athenian-based collective 3 137.

Antonio Roberts is a New Media artist and Curator based in Birmingham, UK. His artwork uses glitch art, hacking and technology-driven processes to explore issues surrounding open source software, free culture and collaborative practices. As a performer and visual artist his work has been featured at galleries and festivals including databit.me in Arles, France (2012), Glitch Moment/ums at Furtherfield Gallery, London (2013), Loud Tate: Code at Tate Britain (2014), glitChicago at the Ukrainian Institute of Modern Art in Chicago, US (2014), Permission Taken at Birmingham Open Media and University of Birmingham (2015-2016), Common Property at Jerwood Visual Arts, London (2016), and Green Man Festival (2017). As a curator he has delivered exhibitions and projects including GLI.TC/H Birmingham (2011), the Birmingham editions of Bring Your Own Beamer (2012, 2013), µChip 3 (2015), Stealth (2015), and No Copyright Infringement Intended (2017). He is Curator at Vivid Projects, Near Now Fellow, and is part of the Advisory Group for New Art West Midlands.

Oscar Humphries has made exhibitions that combine art and design a specialty. Formerly the Editor in Chief of the art magazine Apollo, he has staged shows in commercial and public spaces. His 2012 exhibition Sean Scully: Doric toured museums including Greece, Ireland and Spain. Most recently he staged Teatro Molliono at Design Miami Basel in June, where theatre chairs made by Carlo Mollino for the RAI Auditorium in 1952 were shown alongside a specially commissioned film about the architect. Other recent shows include: Albers & the Bauhaus for Stephen Friedman Gallery examining Josef Albers’ time at the Bauhaus through work he made there. With Architecture of Color: the legacy of Luis Barragan, Humphries opened Tim Taylor’s new space in New York City in September 2016.