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Writing Migration

Postwar Modern: New Art in Britain: 1945-1965

Avinash Chandra, Early Figures, 1961

Postwar Modern features the work of many artists who moved to Britain as refugees from Nazism, in the bloody aftermath of India's Partition or as part of the 'Windrush Generation'.

Three authors, Colin Grant, Phillipe Sands and Ian Sanjay Patel, discuss their personal experience of writing about postwar migration, imperialism and British identity, as well as their personal reflections of the exhibition.

Biographies

Philippe Sands QC is Professor of Law at University College London and Samuel & Judith Pisar Visiting Professor of Law at Harvard. He is a practising barrister at Matrix Chambers, appears frequently as counsel before the International Court of Justice and other international courts and tribunals, and sits as an international arbitrator.

He is author of Lawless World (2005) and Torture Team (2008) and numerous academic books on international law, and has contributed to the New York Review of Books, Vanity Fair, the Financial Times, The Guardian and the New York Times.

 

His latest books are East West Street: On the Origins of Crimes Against Humanity and Genocide (2016) (awarded the 2016 Baillie Gifford Prize, the 2017 British Book Awards Non-Fiction Book of the Year, and the 2018 Prix Montaigne) and The Ratline: Love, Lies and Justice on the Trail of a Nazi Fugitive (2020), also available as BBC and France Culture podcasts. His next book, The Last Colony: A Tale of Exile, Justice and Britain’s Colonial Legacy, will be published later this year.

Discover

a Franciszka Themerson painting

Postwar Modern: Artist Spotlight

Curatorial Assistant Michal Goldschmidt introduces four artists from the exhibition: Anwar Jalal Shemza, Franciszka Themerson, Kim Lim and Shirley Baker. Drawing from their own writings, she shines a light on their life and work.

Frobisher Auditorium 2