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Francis Alÿs: Ricochets

image of children playing jump rope

A major new exhibition by renowned Mexico-based artist Francis Alÿs – his first and largest institutional solo exhibition in the UK for over a decade.

Celebrating the breadth and importance of his work, this exhibition stages the UK premiere of his critically acclaimed series Children’s Games (1999-present), newly expanded following the Belgian Pavilion at the 2022 Venice Biennale. The exhibition also features a site-specific project in the gallery for the surrounding community and beyond, offering new perspectives on his prolific career.

With a career spanning over three decades, ranging from painting and drawing to video and photography, Alÿs has forged a unique and radical practice characterised by the interplay between art and geopolitical power dynamics. Working in collaboration with local communities around the world, his engagement with cross-cultural contexts from Latin America to North Africa and Middle East operates beyond dominant, Western-centric narratives.

 

Tagged with: Art & design

Generously supported by the John S Cohen Foundation, the Delegation of Flanders (Embassy of Belgium) and the Company of Arts Scholars Charitable Trust.

Francis Alÿs

With a career spanning four decades, Alÿs has forged a unique and radical practice ranging from painting and drawing to film and animation. Trained as an architect and urbanist in Tournai, Belgium and Venice, Italy, Alÿs moved to Mexico City in 1986. The rapidly shifting urban context and the consequent changes to social dynamics in the late 1980s inspired him to become a visual artist, developing his early public interventions. Works like Paradox of Praxis 1 (Sometimes Making Something Leads to Nothing), 1997, wherein Alÿs pushed a large block of melting ice through the streets of Mexico City for nine hours, quickly established him as a leading artist of his generation.

Working in collaboration with local communities around the world, his engagement with cross-cultural contexts from Latin America to North Africa and the Middle East operates beyond dominant, Western-centric narratives. What emerges is a lifelong exploration of art as a vehicle for witnessing social and political change.

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