Marrying emotive force with theatrically, Sir Simon Rattle sheds light on a rarely performed Beethoven masterpiece and Berg’s lyrical Violin Concerto with Lisa Batiashvili.
Lisa Batiashvili brings sensitivity and supple technique to Berg’s Violin Concerto, an ode to lost youth composed after the death of Alma Gropius’ daughter, aged just 18. Berg did not survive to hear the piece’s premiere of the concerto, which combines experimentation with lyrical melodies, ending with variations based on a hymn tune by Bach.
In the words of Sir Simon Rattle, Beethoven is ‘absolutely inescapable’, especially in the year of his 250th anniversary. Nevertheless, Christ on the Mount of Olives is a rarely heard masterpiece which combines the emotive force of the composer’s later Missa Solemnis with the theatre of a Bach Passion. With orchestra, chorus and soloists, it tells the story of Jesus’ prayer and arrest in the Garden of Gethsemane.
Duration to be confirmed closer to the event. It includes a 20 minute interval.
Part of Beethoven 250 at the Barbican
£3 booking fee per online transaction, £4 by phone.
No fee when tickets are booked in person.
Booking fees are per transaction and not per ticket. If your booking contains several events the highest booking fee will apply. Booking fees do not currently apply to bookings for exhibitions in the Art Gallery. The booking fee may be reduced on certain events.
The Barbican Hall is located within the main Barbican building. Head to Level G and follow the signs to find your seating level.
Silk Street, London
The Barbican is widely accessible by bus, tube, train and by foot or bicycle. Plan your journey and find more route information in ‘Your Visit’ or book your car parking space in advance.
Spaces for wheelchair users in row U at the rear of the stalls (up to sixteen, depth of row 180cm) and the back row of the circle (four), both with fold-down companion seats. Some seats in row S of the stalls for people with very limited mobility.
Assistance dogs may be taken into the concert hall where there are a limited number of suitable seats in row G of the stalls. If you prefer, you may leave your dog with a member of the cloakroom staff during the performance.
There is an induction loop in the concert hall. You can use this by adjusting your hearing aid to the ‘T’ setting.