The past and the contemporary meet, as Gianandrea Noseda conducts music by Russian composers who reached back in history to create something entirely new – and one of their Classical inspirations.
For his first symphony, Prokofiev – in characteristic style – decided to do the opposite of what was expected of him. Instead of capturing the turbulence of Revolutionary Russia, he made Haydn and Mozart his muses, writing a work that fizzes with wit, light and play. We hear direct from Classicism in the graceful melodies of Mozart’s Third Violin Concerto, and step back into Russian history for Mussorgsky’s Prelude to Khovanschina, which evokes a city awakening as dawn breaks over the Moscow River.
For Noseda, the Ninth is Shostakovich at his most ‘classical’, but a modern statement nonetheless. ‘Stalin wanted a celebration of the victory of Russia, and Shostakovich came out with a sort of opera buffa symphony,’ he says. ‘Short, witty, lots of sarcasm. I can really feel his wish to go against what was expected of him.’
Duration to be confirmed closer to the event. It includes a 20 minute interval.
£3 booking fee per online transaction, £4 by phone.
No fee when tickets are booked in person.
Booking fees are per transaction and not per ticket. If your booking contains several events the highest booking fee will apply. Booking fees do not currently apply to bookings for exhibitions in the Art Gallery. The booking fee may be reduced on certain events.
LSO Platforms: Guildhall Artists
Fre pre-concert recital
The Barbican Hall is located within the main Barbican building. Head to Level G and follow the signs to find your seating level.
Silk Street, London
The Barbican is widely accessible by bus, tube, train and by foot or bicycle. Plan your journey and find more route information in ‘Your Visit’ or book your car parking space in advance.
Spaces for wheelchair users in row U at the rear of the stalls (up to sixteen, depth of row 180cm) and the back row of the circle (four), both with fold-down companion seats. Some seats in row S of the stalls for people with very limited mobility.
Assistance dogs may be taken into the concert hall where there are a limited number of suitable seats in row G of the stalls. If you prefer, you may leave your dog with a member of the cloakroom staff during the performance.
There is an induction loop in the concert hall. You can use this by adjusting your hearing aid to the ‘T’ setting.