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David Lang’s prisoner of the state

BBC Symphony Orchestra

,Barbican Hall
A jailer and his assistant helping a prisoner in chains out of cell

Follow one woman’s personal struggle against political oppression in this dark, seething and engrossing new minimalist opera from the co-founder of pioneering new music collective Bang on a Can.

215 years after the first performance of Beethoven’s Fidelio, David Lang’s fresh view of the opera’s story – and reflection on its enduring power – receives its European premiere. Beethoven loved the idea of freedom, but Lang's prisoner of the state re-examines Fidelio and discovers that in the 21st century, the issues that it raises about gender and personal identity are more than a match for the ideals of the enlightenment.

Lang’s ability to glimpse the emotional heart and soul of a story within his focused, distilled and highly absorbing music has won him a Pulitzer Prize. In this opera designed for performance with an orchestra on stage, both instrumentalists and audience bear witness to the story of a woman striving to rescue her partner from unjust imprisonment. 

Tagged with: Classical music Barbican Presents 2019-20 BBC SO 2019–20 More...

This performance will end at approximately 9.30pm, without an interval.

Programme

David Lang prisoner of the state (European premiere; Barbican co-commission*)

*Produced by the Barbican and BBC SO

Performers

BBC Symphony Orchestra
Ilan Volkov conductor
Elkhanah Pulitzer director
Julie Mathevet* The Assistant
Jarrett Ott The Prisoner
Alan Oke The Governor
Davóne Tines The Jailor
BBC Singers

*Please note that Claron McFadden has had to withdraw from this performance for personal reasons.

Download the programme

Reviews

‘A dark, seething and engrossing work‘
New York Times
‘The whole [opera] is remarkably economical, its brief length and stripped-down dramaturgy letting it deliver its polemical charge with stunning impact. ‘
Opera News
‘Lang's score and the staging by Elkhanah Pulitzer . . . [are] triumphs, keeping the audience on the edge of their seats‘
Broadway World

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