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Herbie Hancock with LA Phil/Dudamel

,Barbican Hall
Set times
Herbie Hancock wearing a suit and pink cravat
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The USA’s most talked-about conductor and orchestra meet a giant of jazz.

No classical music-lover needs to be told about Gustavo Dudamel, and what he represents: just as every jazz fan knows Herbie Hancock. Tonight, two artists whose careers have been defined by an open-minded willingness to collaborate – and communicate – perform live with the LA Phil.

‘You never stop learning, you never stop improving, if you keep your mind open’ says Hancock – words that could have come straight out of the mouth of Gustavo Dudamel. But as ever with Dudamel’s collaborative projects, there’s more going on here than a one-night stand. He’s chosen to open the concert with music by two innovative figures in contemporary Latin American classical music, before Hancock and his quartet –  James Genus on bass, guitarist Lionel Loueke and drummer Justin Tyson – join the LA Phil for a set.

Tagged with: Classical music Contemporary music Los Angeles Philharmonic 2019 Residency More...

This performance will begin promptly at the advertised start time and running time will be confirmed closer to the event.

Produced by the Barbican

Programme

Paul Desenne Guasamacabra (European premiere)
Gabriela Ortiz Téenek, Invenciones de territorio (European premiere)
Followed by Herbie Hancock performing selections of his own material with the orchestra and a full band set

Performers

Los Angeles Philharmonic
Gustavo Dudamel conductor
Herbie Hancock piano/keys

Download the programme

Cocktails, concrete and tonnes of charm

Pop into the Martini Bar for a pre-performance tipple, with Happy Hour from 5-6pm
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Discover

a great photo of kamasi washington playing jazz

Listen: Jazz on Spotify

Follow our regularly updated Jazz playlist for a sample of the music you'll hear across our programme. 

photo of carleen anderson singing

Watch: Barbican Session - Carleen Anderson

In this Barbican Session, Soul singer Carleen Anderson performs Before Me from her album 'Cage Street Memorial' in our conductor's dressing room.

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