The Knight of the Burning Pestle

Cheek by Jowl/Moscow Pushkin Drama Theatre

On sale dates
Animated figure on a stage

Cheek by Jowl reunite with the Russian ensemble ‘so electrifyingly intense they make your hair stand on end’ (The Times) for the first time since Measure for Measure in this outrageous farce. 

The London Merchant, a drama about dysfunctional families begins. But suddenly, from the audience, a grocer and his wife clamber onto the stage, explaining to the astonished actors that while they quite like the play, it could be a bit better – more exciting. Exotic locations, singing and dancing, and the appearance of a Knight are just the things to cheer the evening up. And, luckily, their apprentice Rafe is the man for the job.

Bursting onto the scene at a critical moment when the existence of theatre was threatened by a popular movement increasingly hostile to art and culture, Francis Beaumont’s subversive comedy of 1607 subtly asks questions that are relevant still. Director Declan Donnellan and designer Nick Ormerod collaborate with Moscow’s eminent Pushkin Theatre once more on this play within a play.
 

Duration: TBC
Age guidance 16+

Performed in Russian with English surtitles

Thu 6 Jun
Pre-show talk for members

 

Presented by the Barbican

Produced by Cheek by Jowl and Moscow Pushkin Drama Theatre in a co-production with the Barbican, Les Gémeaux/Sceaux/Scène Nationale, Centro Dramático Nacional, Madrid (INAEM)
 

Members and Members Plus enjoy 20% off ticket prices for this show.

No booking fee. Discounted tickets subject to availability.

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Schools 
£12 per ticket. Call the Groups line on 020 7382 7211 to book. 1 free teacher’s ticket is available for every 10 students.

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Groups (10+)
Save 20%. Call the Groups line on 020 7382 7211.

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Discounts are not available on lowest price tickets and are subject to availability. Discounts do not apply to associated talks, films or workshops. They cannot be combined to make greater savings.

*Excludes £3 booking fee
On sale dates

Reviews

‘A richly layered, urgent telling of a play that feels more pertinent than ever‘
‘The entire company are breathtaking‘
Vash Dosug (Russia) on Measure for Measure (2015)

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