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Digital Programme: Belarus Free Theatre: KS6: Small Forward

An image of Katsiaryna Snytsina looking to the side

Welcome to the Barbican

Thank you for joining us in The Pit for the UK premiere of Belarus Free Theatre’s KS6: Small Forward. We are thrilled to present this powerful show, following their acclaimed Dogs of Europe and the Olivier Award-nominated King Stakh’s Wild Hunt. With their latest high-octane production, the company have teamed up with Olympian athlete and activist Katsiaryna ‘Katya’ Snytsina, who makes her theatrical debut. Together, with a live DJ and thrilling video projection, they recreate the electric atmosphere of a basketball match, the backdrop to much of Katya’s extraordinary life and for this compelling true story about what it means to fight for the freedom to live, love and succeed on the world stage.

This year, we celebrate the company’s 20 years of remarkable productions, campaigns which inspire hope, and their tireless struggle in the face of unimaginable obstacles, to build a better future.

Toni Racklin, Barbican Head of Theatre & Dance

 

Belarus Free Theatre was born under the tyranny of dictatorship, born into a world where there is no air to breathe in political terms, where you get arrested and sent to jail for the simple act of being an artist. But oppression showed us how to be free, how to go beyond the limits imposed by dictatorship, how to combine our creativity and humanity and turn it into hope, even in the darkest of times.

Over the past two decades we’ve told stories of our homeland on-stage, told stories from war zones in Ukraine, from death row inmates in the worst jail in Thailand, from people living in illegal refugee camps in Morocco, from genocide survivors in Rwanda... By immersing ourselves into the pain of the world, we as artists create a space where we as humans can breathe, even when there is no air. By putting incredible human stories in the spotlight our aim is to create art that can unfreeze hearts and minds and allow audiences to dream. In daydreaming, like in theatre, new meanings are born.

It feels beautifully fitting that we begin BFT’s 20th anniversary year with a collaboration with the extraordinary Katsiaryna Snytsina. Katya is a rockstar in the world of women’s basketball, a two-time Olympian who bravely stepped out of her comfortable life bubble to challenge dictatorship in her homeland. Her honesty is so powerful. She says it simply: she didn’t see what the dictator was doing to the people of Belarus. She didn’t realise what was happening all around her for many many years. But when at last she did see it, she decided to do something about it. And now she bravely shares her story with us, to inspire audiences around the world to do the same.

Silence keeps the world in fear, but people like Katya show us how speaking up frees and enriches us all. Speaking out against tyranny, dictatorship, violence and injustice is a way to be free and it’s a way to come home, home to our humanity.

As we mark BFT’s 20-year anniversary in 2025 we renew our commitment to stand in solidarity with the people of Belarus and with people facing tyranny across the world, and to continue to build a global movement through art that breathes with the promise of democracy, humanity, freedom and most of all, hope.

Natalia Kaliada MBE, co-founding Artistic Director of Belarus Free Theatre

 

 

KS6: Small Forward

KS6: Small Forward is produced by Belarus Free Theatre and Freedom Highway Productions, based on conversations with Katsiaryna Snytsina, and dramaturgically adapted for the stage by Nicolai Khalezin and Natalia Kaliada. 

The Company

Performers
Katsiaryna Snytsina
On-stage DJ DJ Blanka Barbara       
Interviewer, mascot, riot police Raman Shytsko
Mascot, riot police Darya Andreyanova
Live feed camera Mikalai Kuprych

Voice over Jay O. Sanders
MC Voice over Tahir Hajat
Vocalist (pre-recorded) Marichka

 

Creative Team
Directed by Natalia Kaliada and Nicolai Khalezin 
Original play by Nicolai Khalezin        
Movement Director and Choreographer Javier De Frutos
Consultant Choreographer Anthony Matsena
Set Designer Nicolai Khalezin
Composer and Sound Designer DJ Blanka Barbara
Lighting Designer Peter Small
Video Designer Dmytro Guk

Creative Associates Darya Andreyanova, Mikalai Kuprych, Raman Shytsko
Performance Mentor to Katsiaryna Snytsina and Script Editor Michael Attenborough
Translator Daniella Kaliada
Voice Coaches Barbara Houseman, Penny Dyer
Production Manager Ryan Funnell
Stage Manager Joshua Sparks (London and New York)
Sound Engineers Boris Nazarov (New York), Kseniya Kawko (London)
Lighting Programmer Rohan McDermott
Production Electrician James Smellie
Video Systems Engineer Simon Fletcher
Video Programmer, open dress rehearsals in London Melissa Chan
Technical Stage Manager Jake Oliver Hughes
Stage Manager, London rehearsals Alexandra Kataigida
Assistant Stage Manager, London rehearsals Angelina Gorgaeva
UK Production Carpenter Connor Norris
Suitcase miniatures Miriam and Simon at NabarroQuinn
Costume Prop Maker Bryony Rumble
Mascot Costumes Livedoll workshop

Video team
Production Tsvit Paporoti
Producer Anna Zelinska
Executive Producer Kateryna Fogilieva
Assistant Director Victoria Kvitka
Creative Manager Hlib Shyrochkin
Director of Photography Yevgeniy Sakhno
Camera Operators Ievgen Gubrenko, Mikalai Kuprych
Focus Puller Ilyia Remizovskiy
Gaffer Rost Golovko
Location Manager Natalia Andreyeva
Line Producers Mykola Kosmodemianskyi, Anton Postovalov, Olena Onyshchuk
Actress Yevanhelina Shevchenko
Editors Max Levchenko, Alena Minenka, Daria Turetski
Motion Design Serhii Hryhoriev, Anton Kovalskiy
Equipment Patriot Rental
Catering Energy Catering

 

For Belarus Free Theatre
Operations and Finance Director Nadia Brodskaya
Development Director Daniella Kaliada
Senior Producer Julia Sarvi
Junior Producer Anna Zelinska       
Production Intern Arina Kleparskaya (New York)
 

Event information

Running time: 1 hour 30 mins. There is no interval

Age guidance: 14+

This production contains fake blood, loud noises, smoking, smoke, haze and flashing lights. It contains references to adult themes including swearing, violence, use of weapons and discussions of homophobia and sexual abuse.

Presented by the Barbican.

Produced by Belarus Free Theatre and Freedom Highway Productions.

Performed in English.

Image Credit © Belarus Free Theatre

Funders
R.G., Spirits of the Game and Backstage Trust

Post-show talk with Stephen Sackur
Fri 7 Feb, Pit Theatre
The talk is moderated by journalist Stephen Sackur.
Free to same-day ticket holders.

In-conversation with Sir Stephen Fry, Natalia Kaliada MBE and Katsiaryna Snytsina

Thu 6 Feb, 18:00, Cinema 1
An in-conversation event with Sir Stephen Fry, BFT’s co-founding Artistic Director, Natalia Kaliada MBE, and KS6: Small Forward star, Katsiaryna Snytsina.

Ahead of the press night performance of KS6: Small Forward on Thursday 6 February, BFT is thrilled to be joined by its long-standing supporter, Sir Stephen Fry, for the in-conversation event, BFT turns 20: democracy and human rights on the world stage.

The much-loved stage and screen luminary will be joined by BFT’s co-founding Artistic Director, Natalia Kaliada, and KS6: Small Forward star, Katsiaryna Snytsina, for a wide-ranging discussion about two extraordinary decades on the world stage using politics, art – and now sport – to build a movement for democracy, human rights and freedoms.

Tickets £6 

BFT turns 20

Running time: 1 hour

Age guidance: 14+

This discussion may contain references to adult themes.

A Simple Choice

Authored essay by Michael Attenborough CBE, commissioned by Belarus Free Theatre for their production of KS6: Small Forward.

Michael Attenborough reflects on his collaboration with Katsiaryna Snytsina to bring her story to the stage

Belarus Free Theatre is of course NOT free. No one is in Belarus. Everyone lives under a brutal dictatorship. For 20 years BFT has been the lone voice in an artistic wilderness, ruthlessly marshalled by an authoritarian regime; creating exciting, innovative theatre that has been hailed around the world, but systematically crushed in Belarus. So violently and disgustingly that the whole company had to leave their home country completely. With the Ukrainian war, Belarus has become a key global player through its alliance with war criminal Vladimir Putin. The axis of world power is now at stake. Consistently, BFT has portrayed and projected the human voice in the midst of the pain of mass repression and now the clash of arms. Here the voice is that of a sole woman with an extraordinary story to tell. A story to be performed by a world famous basketball player, who has never acted before, in what is her second language! An act of bravery in itself!

Enter yours truly as Katsiaryna Snytsina’s mentor…

I’m the only person in the rehearsal room for whom English is their first language. So the first job is to edit the script and ensure it’s accurate and fluent. That done, Katya and I set to work on her performance. We’ve never met before, but she turns out to be modest, gentle and intelligent; full of fun and a passionate determination to learn. We quickly become close friends and I set about teaching her the keys to performance. No small task, given she has over 30 pages of text to bring to life.

Her story is the key. One of immense sacrifice, born of her horror at the crimes against humanity being perpetrated in her home country. A Damascene moment occurs. There’s no turning back. Until the authoritarian dictator of Belarus is overthrown, she can never return home.

There is not a trace of self-congratulation about Katya. It’s a simple choice. Denouncing the brutal regime and refusing to play any longer for her country is the only path she can take. Moral imperative and political necessity lead the way. No sentimentality, no nobility, no hubris. A woman who had everything now lives out of one suitcase. However, thankfully, the love of her life, the diminutive Nadia, is by her side. Everything is possible.

This seventy four year old liberal leftie is now learning an infinite amount at the hands of a young, ferociously committed lesbian dissident. I am under her spell and love her hugely.

Her story demands to be told. It’s going to be one hell of a ride!

Biographies

Co-Director
Natalia Kaliada is the co-founding Artistic Director of BFT, an award-winning theatre-maker, writer and director. As an internationally renowned diplomat and human rights campaigner, Natalia has pioneered a unique method of transversal lobbying and campaigning, uniting artistic, geopolitical, environmental and human rights concerns, to bring systematic change to different societies. Working alongside We Remember Foundation and Free Belarus Now, Natalia took part in high-profile negotiations with Hillary Clinton, Former US Secretary of State, and Hon. William Hague, Former Secretary of State for Foreign and Commonwealth Affairs, focused on the implementation of targeted economic sanctions against Alexander Lukashenko and others responsible for the repression of the Belarusian people. Forced to leave her home in Minsk for her work as a political campaigner and as the co-founder of BFT – the only theatre in Europe banned by its government on political grounds – she was granted political asylum in the UK in 2011. Natalia originated the Global Artistic Campaign Free Belarus which has received the support of numerous leading contemporary artists and politicians including BFT Patrons Sir Tom Stoppard, President Václav Havel and Harold Pinter. In 2000/2001, the US State Department gave her two Meritorious Honour Awards for Personal Bravery and Courage. Natalia has hosted masterclasses at world-leading universities and institutions including: Central Saint Martins, RADA, LAMDA and CCODS (in the UK); ENSAT, Lyon (in France); and Brown University, Tisch School, NYU and Georgetown University (in the USA). Natalia created the Women 4 Women Alliance in 2020, to honour and amplify the voices of the women of Belarus bravely resisting the dictatorship. The Alliance was first launched together with Hillary Clinton, Madeleine Albright and Senator Jeanne Shaheen, and continues to keep the world’s attention on the impact of war and dictatorship on the children of Ukraine and Belarus through public events which include the panel discussion hosted by Cate Blanchett at the Barbican Theatre in autumn 2023. Natalia is a Committee Member for the Magnitsky Human Rights Award, which recognises work in human rights and anti-corruption – past winners include BFT, Senator John McCain and human rights barrister, Geoffrey Robertson. BFT received an Olivier Award nomination for Outstanding Achievement in Opera in 2024 for King Stakh’s Wild Hunt, the company’s first-ever foray into opera. In June 2023, Natalia was awarded the MBE for Services to Theatre in the King’s Birthday Honours.

Movement Director and Choreographer
Javier De Frutos is an acclaimed director, choreographer and designer, named one of the most influential people in the UK by the Evening Standard newspaper in 2016. He is one of only three artists in the history of the Olivier Awards to have received nominations in all dance categories. His awards include the 2007 Olivier Award for Best Theatre Choreography for Cabaret; the 2011 Evening Standard Award for The Most Incredible Thing (in collaboration with Pet Shop Boys); two 2005 Critics Circle Awards for Milagros with the Royal New Zealand Ballet and Elsa Canasta for Rambert and Scottish Ballet; the 2004 Time Out Award for Sour Milk for Candoco Dance Company; the 1997 South Bank Show Award for Grass; and the Prix de Auteur in the 1996 Concours de Seine-Saint Denis in Paris. Further work includes: the National Theatre’s production of London Road, winner of the Critics Circle Award for Best Musical, for which he received an Olivier Award nomination for the stage version, and the 2017 Chita Rivera Award for best choreography in a feature film for the screen adaptation. From Here To Eternity, the Tim Rice musical which premiered in the West End, was nominated for the 2014 WhatsOnStage Award for Best Choreography, and his work on The Anatomy of a Passing Cloud for the Royal New Zealand Ballet was nominated for the 2016 Olivier Award and the 2017 National Dance Award. Javier’s work in music video has been recognised with a nomination for best choreography from the 2012 UK Music Video Awards for his collaboration with Jake Nava in Delilah’s Inside My Love. In 2000, The South Bank Show dedicated a full feature to his work which was nominated at the Royal Society Television Awards for Best Arts Documentary. Javier also became the first recipient of the Arts Council of England Fellowship, through which he studied the works of Tennessee Williams extensively. In 2011, the BBC broadcast his project, The Most Incredible Thing, and its US premiere took place in Charlotte, North Carolina in March 2018. In the same year, Javier was invited by the McColl Center to be their Artist-in-Residence, making him the first director/choreographer in their history to receive the honour. In 2017, Javier directed the highly acclaimed production of Phillip Glass’ opera, Les Enfants Terribles, a collaboration between The Royal Opera and The Royal Ballet. More recently, two of his short films, The Burning Building and Whoever You Are, have been internationally recognised in several film festivals, earning accolades including Best Indie, Best Director and Best Adapted Screenplay. Javier is currently working on the revival of London Road at the National Theatre.

About Belarus Free Theatre

Olivier Award-nominated Belarus Free Theatre (BFT) is the only theatre in Europe banned by its government on political grounds, described by The New York Times as, ‘one of the bravest and most inspired underground troupes on the planet’.

BFT was founded in 2005, creating, educating and performing theatre in Minsk in the context of Europe’s last dictatorship, and forced to operate underground as one of the country’s leading resistance movements. In 2011, following years of intimidation, arrests and imprisonment for making theatre, its co-founding Artistic Directors, Natalia Kaliada and Nicolai Khalezin, were forced to leave Belarus and were granted political asylum in the UK.

Soon after, BFT became an Associate Company at London’s Young Vic Theatre, under the Artistic Directorship of David Lan.

Over the past twenty years, BFT has originated some of the world’s most provocative and breathtakingly physical theatre – more than 50 productions performed in more than 40 countries around the world. BFT’s stage productions have consistently challenged dictatorships, signalled the erosion of democratic rights and freedoms, and called for accountability on the world stage. Alongside exploding taboos on the world stage, BFT has pioneered an award-winning global model of activism that unites artistic, geopolitical, environmental and human rights concerns, using theatre to build a movement for democracy, human rights and artistic freedoms.

In December 2021, BFT was forced to relocate its 16-strong acting ensemble and their family members out of Belarus to safety. The decision was taken in response to the severe risk of reprisals they face as some of the most prominent opponents of the Belarusian regime. Since then, BFT operates internationally from London, creating ambitious stage productions that tour worldwide alongside running a theatre laboratory in Poland for children and adults displaced by the war in Ukraine. In March 2024 the Warsaw-based troupe, composed of teens and their parents, were invited to perform for MEPs at the European Parliament in Brussels.

Awards for BFT include: the Magnitsky Prize, which recognises work in the field of human rights and anti-corruption (2020); the Human Rights Foundation’s Václav Havel Prize for Creative Dissent (2018); the Freedom Award, presented by the Atlantic Council at its annual Wroclaw Global Forum (2011); the Human Rights Prize of the French Republic (2007); an OBIE Award for Discover Love / Being Harold Pinter / Zone of Silence (2011); a Drama Desk nomination for Being Harold Pinter (2011); the La MaMa Award in 2022, as part of Remake the World; The Stage newspaper’s International Award (2021); and an Olivier Award nomination for Outstanding Achievement in Opera (2024). BFT Life Patrons include Sir Tom Stoppard, and the late Harold Pinter and President Václav Havel.

In June 2023, Natalia Kaliada and Nicolai Khalezin, the co-founding Artistic Directors of BFT, were awarded the Member of the Order of the British Empire (MBE) for Services to Theatre in the King’s Birthday Honours.

Follow us: X/Twitter: BFreeTheatre | Instagram: @belarusfreetheatre

Special Thanks

Jay O. Sanders, Pavel Haradnitski, Yuliya Shauchuk, The Toy Project (London), Joseph Toonga, Samuel Skoog, Vanja Cernivec, Serge Kharytonau, Maria Sidorenko, Christopher Hill, Michael Bernadsky, Louis McLaren, Flo and Jarrah Nabarro Quinn, Nonna Sivets and Alyona Chernyak. 

From the Barbican

Barbican Centre Board
Chair
Sir William Russell
Deputy Chair
Tijs Broeke
Deputy Chair
Tobi Ruth Adebekun

 

Board Members
Randall Anderson, Munsur Ali, Michael Asante MBE, Stephen Bediako OBE, Farmida Bi CBE, Zulum Elumogo, Jaspreet Hodgson, Nicholas Lyons, Mark Page, Anett Rideg, Jens Riegelsberger, Jane Roscoe, Despina Tsatsas, Irem Yerdelen

 

Clerk to the Board
John Cater and Kate Doidge
Barbican Centre Trust Chair
Farmida Bi CBE
Vice Chair
Robert Glick OBE

 

Trustees
Stephanie Camu, Tony Chambers, Cas Donald, David Kapur, Ann Kenrick, Kendall Langford, Sir William Russell, Sian Westerman

 

Directors
Chief Executive Officer (Interim)
David Farnsworth
Deputy CEO (Interim)
Ali Mirza
Director of Development
Natasha Harris
Head of Finance & Business Administration
Sarah Wall
Director for Buildings & Renewal
Dr Philippa Simpson
Director of Commercial
Jackie Boughton
Director for Audiences
Beau Vigushin
Director for Arts and Participation
Devyani Saltzman
Executive Assistant to CEO
Hannah Hoban

 

Theatre Department
Head of Theatre and Dance
Toni Racklin
Senior Production Manager
Simon Bourne
Producers
Liz Eddy, Jill Shelley, Fiona Stewart
Assistant Producers
Mrinmoyee Roy, Mali Siloko, Tom Titherington
Production Managers
Jamie Maisey, Lee Tasker
Technical Managers
Steve Daly, Jane Dickerson, Nik Kennedy, Martin Morgan, Stevie Porter
Stage Managers
Lucinda Hamlin, Charlotte Oliver 
Technical Supervisors
James Breedon, Charlie Mann, Josh Massey, Matt Nelson, Adam Parrott, Lawrence Sills, Chris Wilby
Technicians
Kendell Foster, David Kennard, Burcham Johnson, Bart Kuta, Christian Lyons, Kieran Poynter, Fred Riding, Fede Spada, Matt Turnbull
PA to Head of Theatre
David Green
Production Administrator
Caroline Hall
Production Assistant
Ashley Panton
Stage Door
Julian Fox, aLbi Gravener

Creative Collaboration
Head of Creative Collaboration
Karena Johnson 
Senior Producer for Learning and Participation
Oluwatoyin Odunsi
Senior Manager
Sarah Mangan
Producer
Josie Dick
Assistant Producer
Carmen Okome

 

Marketing Department
Head of Marketing
Jackie Ellis
Deputy Head of Marketing
Ben Jefferies
Senior Marketing Manager
Kyle Bradshaw
Marketing Manager
Rebecca Moore
Marketing Assistants
Antonia Georgieva, Ossama Nizami

 

Communications Department 
Head of Communications
James Tringham 
Senior Communications Manager
Ariane Oiticica  
Communications Manager 
HBL 
Communications Officer
Sumayyah Sheikh
Communications Assistant
Andrea Laing

 

Audience Experience
Senior Audience Experience Managers
Oliver Robinson, Liz Davies-Sadd, Ben Skinner
Ticket Sales Managers
Jane Thomas, Bradley Thompson, Lucy Allen
Ticket Sales Team Leaders
Molly Barber, Alex Steggles, Máire Vallely, Nicola Watkinson, Charlotte Day
Operations Managers
Tabitha Fourie, Aksel Nichols, Ben Raynor, Samantha Teatheredge, Hayley Zwolinska
Operations Manager (Health & Safety)
Mo Reideman 
Audience Event & Planning Manager
Freda Pouflis
Venue Managers
Catherine Campion, Scott Davies, Maria Pateli, Lotty Reeve, Shabana Zaman
Assistant Venue Managers
Sam Hind, Bronagh Leneghan, Melissa Olcese, Daniel Young
Young Crew Management
Dave Magwood, Rob Magwood, James Towell
Access and Licensing Manager    
Rebecca Oliver  

 

Security
Operations Manager
Naqash Sheikh
Audience Experience Coordinator
Ayelen Fananas