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The Terror and the Time + Caribbean Honeymoon No. 2 + Panel Discussion (15*)

Project a Black Planet

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These two Guyanese films explore the country’s complex political history in very different ways, tracing the legacies of colonialism and the fraught path to independence.

Opening the programme is Caribbean Honeymoon No. 2, a recently restored satirical documentary by Edric Connor. It turns the conventions of the classic travel film on their head, presenting Guyana's beautiful landscapes while revealing the extractive industries that stripped its raw materials for British households.

Originally subtitled Colonialism, The Terror and the Time draws on the ideas of philosopher Frantz Fanon. It was conceived as the opening chapter of a trilogy about anti-colonial struggle and liberation. Built around poems by Guyanese writer Martin Carter, the film explores the political rivalry between two towering figures of Guyanese independence: Forbes Burnham and Cheddi Jagan. Rarely seen but quietly influential, it predates celebrated British films on similar themes, including John Akomfrah's Handsworth Songs.

The screening is followed by a panel discussion with Carinya Sharples and Xavier Alexandre Pillai.

Book two or more films in the Project a Black Planet film programme at the same time and get 20% off.

Programme

The Terror and the Time, dir Victor Jara Collective, Guyana, 1978, 70 mins

Caribbean Honeymoon No. 2, dir Edric Connor, UK/Guyana, 1960, 15 mins

Panel

Carinya Sharples is a writer and educator based in southeast London. She is currently undertaking a PhD at the University of Leicester, where her research explores representations of mixedness in Guyanese literature, alongside her role as a Graduate Teaching Assistant. Her creative work has been published in The London Reader and Commonwealth Writers’ ADDA Stories, and she was longlisted for the 2021 Mslexia Short Story Competition. She has led a range of creative writing workshops, including collaborations with Spread the Word and programmes such as Poetry vs Colonialism at the Museum of London Docklands. In 2020, she completed an MA in Creative Writing and Education (Distinction) at Goldsmiths, University of London, where she co-edited Inspire: Exciting Ways of Teaching Creative Writing, available via the Goldsmiths Centre for Languages, Culture and Learning. As a journalist, she has produced work for the BBC World Service, Mongabay, gal-dem, and The Guardian.

Xavier Alexandre Pillai is a curator and programmer at the BFI, a writer and a trustee at LUX Moving Image, based in London. He has curated on large public access projects like BFI Replay and is co-curator of a project on the Black and South Asian workshops. His research focuses on the issues of restitution and repatriation in film, manifested in a paper presented at the FIAF Global Symposium in 2024 and a curated film programme, Restitution in Motion: The Call for the Return of Cultural Property, in 2023 for the Independent Cinema Office. He has programmed for the London Film Festival, the Trinidad and Tobago Film Festival and has written for publications as diverse as Sight and Sound and UltraDogme.

Cinema 3

Location
Barbican Cinema 1 is located within the main Barbican building on Level -2. Head to Level G and walk towards the Lakeside Terrace where you’ll find stairs and lifts to take you down to the venue floor.   

Address
Barbican Centre
Silk Street, London
EC2Y 8DS

Public transport
The Barbican is widely accessible by bus, tube, train and by foot or bicycle. Plan your journey and find more route information in ‘Your Visit’ or book your car parking space in advance.