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Zifzafa

Lawrence Abu Hamdan: Repercussions

This free exhibition presents video works by Lawrence Abu Hamdan that address how sound can both sustain and disrupt the richness of community life. 

A video installation explores the effect of a planned wind turbine development on the inhabitants of the Israeli-occupied Syrian Golan Heights. 

Zifzafa: Livestream Audio Essay (2025) presents a video-game simulation designed by Earshot to fight green colonialism. Adopting a Twitch-inspired format, the work guides viewers through a virtual recreation of the region. Field recordings of the resident Jawlani community—from wedding announcements to whirring water pumps— are periodically overwhelmed by the roar of simulated wind turbines, demonstrating how their impact would effectively silence the buzz of daily life. 

Wind Ensemble (2024), focuses on a performance by Jawlani saxophonist Amr Mdah. Played from the balcony of a home located just 50 metres from the site of a proposed wind turbine, his music becomes an act of sonic resistance.

Runtime: 50mins
Starting on the hour. You are welcome to stay for the whole run, or move freely through the space. 

Please note that the sound levels in this installation reach approx. 90 decibels. Earplugs are available.

This venue has limited capacity. You may be asked to wait a short time before entering.

 

Repercussions is generously supported by Cockayne Grants for the Arts, a Donor Advised Fund, held at The Prism Charitable Trust.

Cockayne

The Pit

Location
The Pit is located on Level -2 within the main Barbican building and can be accessed via the stairs or lifts on Level G, next to the doors to the Lakeside Terrace. 

Address
Barbican Centre
Silk Street, London
EC2Y 8DS

Public transport
The Barbican is widely accessible by bus, tube, train and by foot or bicycle. Plan your journey and find more route information in ‘Your Visit’ or book your car parking space in advance.