Ten years of
Barbican Young Poets

We celebrate ten years of Barbican Young Poets and talk to three alumni about their experience being on the project, where they are now, and the impact of poetry on their lives.

Jeremiah 'Sugar J' Brown

Can you tell us about your experience as a Barbican Young Poet?

Barbican Young Poets has been a really, really, amazing journey. I think I just learnt so much in terms of writing and poetry, and a lot of basic and fundamentals that are vital to my practice today and how I approach writing, and how I approach my work.

My art is because of Barbican Young Poets, and because of that process and the things I have learnt from Jacob Sam-La Rose and Rachel Long. It’s really shaped me in that sense I think - my attitude towards critique, my attitude towards reading, my attitude towards all of those kind of things. I think the access to community that the Barbican Young Poets provide, I think that’s one of the dopest things that Jacob managed to create, and it’s this sense of community amongst all the Barbican Young Poets .

In my opinion, that’s its biggest success. You learn so much on the programme, it changes how you write and how you approach work. And it grows you, and when your year is done, it’s almost as if you’ve been inducted into this community of wavy people.

And it’s like ‘now all the dope things begin’.

What’s one moment you’ll never forget from your time as a poet?

Probably the Jacob Sam-La Rose appreciation evening that was organised by Ruth Sutoyé. Ruth was like ‘Jacob‘s wavy, Jacob is a dope guy’, and thought he needed to be celebrated. I think that was a celebration of Barbican Young Poets because there were so many other Barbican Young Poets in the room, so many people, so many lives that he had touched.

Just being in that room and seeing all that kind of love, and being able to celebrate that, celebrating in that moment - I think that was so much fun.

What’s next for you?

I’ve got a play at The Albany, Likkle Rum With Grandma, at the end of March. That’s just been sort of everything that I’ve been pouring into: being able to write on my relationship with my nan, being able to write about inter-generational relationships and just showing love to people. After that, I’m trying to take Likkle Rum With Grandma and do more with it. I’m writing and performing and doing my stuff, that’s the main project.

'It’s this sense of community amongst all the Barbican Young Poets'

I’m Rooting For Everybody Black

always.

Mostly that means I don’t want the black character to get dead off first. My hope is a poke at the
swaying Jenga tower. It doesn’t always fall, sometimes the black character get dead off second.

I’m rooting for everybody black
always.

Mostly that means screaming when I see a black face. One you recognise is sweeter; a British one
is sweetest. Like the taste of my shout when I saw Michaela Coel on the USS Callister.

I’m rooting for everybody black
always.

It looks like he’s singing and dancing, but this brother’s taking enormous chances 2. Kendrick
finishes. The audience rise to their feet applauding, white froth from every ocean gathered in
that room to clap.

Pastor came and preached the same sermon two years ago. Rockface hits water over and over
hoping at some point thy listen.

I’m rooting for everybody black
always.

Mostly that means paying to see Black Panther more than once. So much black on a Hollywood
screen, I must soak my eyes in it. I would drown in black like a satellite floating in space.

I am hoping against sense that Hollywood is the same. I am done seeing blackberries drowned in
milk.

I’m rooting for everybody black
always


1 During an interview on the red carpet at the 2017 Emmys, Issa Rae (award winning actor, writer, director, producer and web series creator) was asked who’d be rooting for that night. She responded, ‘I’m rooting for everybody black. I am. Betting on black tonight’.

2 As part of Kendrick Lamar’s 2018 Grammy performance, Dave Chappelle (legendary comedian and actor) made some timely comments about what the great artist was doing. During his second interruption he said, 'Is this on cable, this CBS? ‘Cos it looks like he’s singing and dancing, but this brother’s taking enormous chances. Rumble, young man, rumble!”'

Visit Sugar J's website

Aisling Fahey

Can you tell us about your experience as a Barbican Young Poet?

I started Barbican Young Poets in its very first year, and now I feel very old! You kind of walk in not knowing what to expect and you just learn so much - there’s the element of learning about poetry, of learning about more poets and widening your knowledge and your craft as well.

There’s also the aspect of meeting other poets, and that community aspect, which always comes across every year I’ve done it -  it’s been really beautiful to see what’s come out of those relationships, and some of those people who I met when I was fifteen, I still know and am in touch with, so that’s really nice, the longevity of the project.

Barbican Young Poets has definitely grown and I feel like it now has this reputation that is really beautiful to see. People know if you’ve come from the Barbican project, then you’re going to be a good writer and you’re most probably going to be a good performer, because you do so much work on those skills during the sessions.

What’s one moment you’ll never forget from your time as a poet?

There’s been so many, but maybe the showcase that happened as part of Walthamstow Garden Party. I’m from Walthamstow originally, so it was really nice to go back and be involved in that. I also loved my time facilitating Barbican Junior Poets alongside Kareem Parkins-Brown and lead facilitator Toni Stuart. It all took place with schools local to me, so seeing a big institution like the Barbican, come in and to things that are local and affecting people in my community – that was amazing. I loved working on the Barbican Junior Poets programme because I was able to come in and share what I'd learnt with younger students. Normally I’m a participant, so to be on the other side and be able to see their progress, see them work on their confidence, that’s really beautiful.

What's next for you?

I’m doing a little bit of travelling this year, which will be nice and I should be able to work in different communities, and do workshops, and hopefully my own writing will come from that as well.

I want to create new work, and see the next phase of my writing as well. I’ve been talking about a collection for too long, but for me, a collection has to be something that comes full circle. Maybe in my head I’m building it up? I feel that it should represent me and represent what I’ve been writing over the years - I’m in no rush.

'People know that someone from the Barbican Young Poets will be a good writer and most probably a good performer'

Mother: Juggler of Clouds.

Expert in holding the sky when it threatens to fall,
when the Gods strike their fists and the thunder
heads mercilessly for the Earth.

There is a naivety in your belief,
threaded through your body
like embroidery on silk scarves.
I am unpicking the gullibility
you sewed into my skin.

An open heart is an unguarded target.
I once believed a boy
until my heart became a spinning top.

*
I apologise for trying to crush the questions,
ripe berries, in your mouth.

I must not bite the hand that fed me.

It is something that comes from learning
the origin of your body.

Surely you yourself have felt the dark descend?

One day I will ask which continent made your body
shudder least, think myself more like you than I imagine myself to be right now.

It caught me by surprise when the woman at the counter
said our eyes were cut from the same stone.

Two of my cousins have my face

but we do not talk.

*
Do you sometimes forget those years we shared that same bed
in the cramped bedsit we called home? I sometimes forget

the week you said you were visiting family so my body,
a thief of your love, would not clutter your mind.

Did you nearly believe you had not ended up here?
Was it a shock when I returned, as real as ever,
waiting to be fed?

*

If I were ruler for a day, I would decree a law:

Mothers, when your daughter reaches sixteen,
you must sit her down,
explain the process of how you came into yourself.
You may use photographic aids,
but you must also use your words,
those precious stones you have a habit
of storing – I wonder if they were stones
or unspoken words in Virginia Woolf’s pockets?

*
Your silence is fierce and dark, without hope of light.

I would like to throw you a party, buy you a red dress,
give you a whole night with nothing to do in it but laugh,
admire the length of your legs in such alien heels.

Lady in Red,
as you slip the right shoe off and on, you think
it equivalent to the lengthening of your first born
in those initial six months of no sleep and less money.

*
Though I fear this life chose you, came toward you
like a grey cloud in a barren field,

there is laughter to be found, isn’t there?

The same laughter that came when my cold feet
used to brush your leg in that bed,

there is laughter to be found, the other side of tomorrow,
when you realise you are still here.

Why did you think you wouldn’t be, silly?

*
You have a skill of rebuilding the sky each morning,
refusing to break if some days it is not as high
as your God first placed it.

I am mastering that strength that comes from the gut,
when the rope pulling you up
is cutting your hands to shreds.

This life is a subtle balancing act.
It takes practice, you say,
I’ve been juggling these clouds for a lifetime.

Visit Aisling's website

Travis Alabanza

Can you tell us about your experience as a Barbican Young Poet?

I was a Barbican Young Poet about five years ago. I loved it. It really came just at the right time for me because I had just moved to London, and I knew I wanted to be an artist, but I didn’t really have a network. I didn’t really grow up around the arts, so for me, landing in the room, it was quite intimidating on the first day.

The experience was so good because it was so rigorous, and I feel like when young people are invited to do programmes or things, you get fun but never ‘rigour’, and therefore you’re never pushed. I thought Barbican Young Poets were rigorously pushed, and if I look at what happened afterwards, I learnt how to be rigorous and edit my work, how to take criticism and feedback, which I think was such a great experience.

And I think past that, you’ll see the other Barbican Young Poets at your shows, you’ll go to their shows, you cheer each other on - it’s like having a really amazing cheerleading squad. I feel what Barbican Young Poets taught me, is it’s no competition, it’s just support and that’s really nice, I love it!

What’s one moment you’ll never forget from your time as a poet?

I think there’s so many really nice moments, but last year I got to tour the United States, and got to read at Harvard, Yale and Brown University, and travelled all around America. It was really special because I didn’t think anyone knew my work, but there was a line of people queuing with my book outside, and my reading at Brown University had sold out.

I didn’t really go to loads of places as a kid, and I’ve got to go to so many countries and cities, that I would never just go to, just because I make words and stuff, which is like really cool.

What’s next for you?

The last two to three years I’ve been known for making theatre and script writing. I’ve enjoyed how poetry has informed that. I just finished the tour of my theatre show, ‘Burgerz’, which is coming back in a couple of months. I think I just enjoy making work in whatever form that is - I just want to continue doing that.

'Barbican Young Poets is like having a really amazing cheerleading squad'

XY & XX & YX & YY


I was born into tight t-shirts and loose jeans.
Into blue painted tiles and loud tractor cars,
thrown bruise first into aggressive handshakes and puffed out chests,
I was born into boy.


I was born into grasping at tears and opening doors.
Into muddy football games and locker room silence,
smothered watertight with unmeasurable heights and lost expectations,
I was born into boy.


I was born into colourless face paint and bitten down nails.
Into punching walls death, and clenched sore fists,
buried garden deep with narrow tightropes and fatal falling mistakes,
I was born into boy.


I was born into toy soldiers and tarnished rugby boots.
Into thought out drill routines and gelled-back hair,
sealed with the lid shut on navy measured boxes and trumpet marches,
I was born into boy.


---18 births later---


The pulsing wine lipstick took hold of my cracks.
The slick matte polish drowned over my index.
The neatly crafted skirt hung just above my nerves.
I was never asked to be boy

Visit Travis' website

The tenth cohort of Barbican Young Poets performed a showcase of their work in front of friends, mentors and previous alumni. A collection of photos from the night below:

Photographs by Matthew Kaltenborn

Photographs by Matthew Kaltenborn

Photographs by Matthew Kaltenborn

Photographs by Matthew Kaltenborn

Photographs by Matthew Kaltenborn

Photographs by Matthew Kaltenborn

Photographs by Matthew Kaltenborn

Photographs by Matthew Kaltenborn

Photographs by Matthew Kaltenborn

Photographs by Matthew Kaltenborn

Photographs by Matthew Kaltenborn

Photographs by Matthew Kaltenborn

Photographs by Matthew Kaltenborn

Photographs by Matthew Kaltenborn

Photographs by Matthew Kaltenborn

Photographs by Matthew Kaltenborn

The Barbican Young Poets is a programme for writers who have something to say and are searching for a new way to say it. This programme will feed and challenge you to produce new and exciting work as you work with with internationally renowned poet and performer Jacob Sam-La Rose as well as guest facilitators and artists who will help develop different aspects of writing and performance work.

Become a Barbican Young Poet

Photographs by Suzanne Zhang