Creative Careers

Session 4: 2021 Energy

Creative Careers is aimed at young people who want to work in the arts, the creative industries or as creative entrepreneurs.

Usually, Creative Careers sessions take place at the Barbican, but this year we've brought everything online, to help keep you feeling creative and engaged throughout these difficult times.

Barbican Guildhall Creative Learning develop these learning sessions to encourage young people to engage in some of the topics and attributes we believe are crucial to becoming future leaders in the creative sectors.

For this Creative Careers session, we wanted to do things a little differently and make space on our platform to amplify the voices of Justice for Black Lives, an organisation we think are making a difference in the fight against racism and inequality. We hope that, through sharing the perspectives of some of the members of Justice for Black Lives, we are able to spark genuine debate and reflection amongst young people who wish to develop a career in the creative industry.

We recognise that the Barbican and Guildhall School must address and dismantle systemic racism in our own organisations. Presenting work like this is only the start, and we know we’ve got to take tangible actions to become anti-racist organisations, including diversifying our workforce and arts and learning programmes. Read more about the Barbican's commitments to anti-racism and from the Guildhall School.


Introduction from Creative Careers' Joseph Gray

'With a fresh start for 2021 just around the corner, we’re bringing this year’s Creative Careers series to a close with a suitably poignant set of contributions. We’re constantly blown away by the thoughtfulness and positivity of contributors to this series, and it’s a huge privilege to be able to call upon brilliant young talent to bring these exchanges to life.

This year certainly hasn’t been straightforward for any of us, but the murder of George Floyd in May brought into sharp focus the racism that so many people still face every single day around the world. What has happened since then has given new urgency to this movement, with protests rightly gaining more prominence than before, as well as individual, collective and institutional recognition of white privilege, and the structural racism it supports.

Justice for Black Lives is a grassroots campaigning organisation, founded this year around the time the Black Lives Matter movement came to global prominence. The group hopes that with the right tools, allies, language, and technologies, we can shape a new reality here in the UK; one that moves beyond tolerance, to become actively anti-racist. We’re delighted to have invited some key team members to reflect on 2020, and to share their thoughts on leading the UK into a significantly better future.'

Twitter: @jforbacklives / Instagram: @justice_forblacklives

Further Learning
Watch: Fighting the Power: Britain after George Floyd (BBC iPlayer)
Read: Abolitionist Futures Reading List


Joseph Gray works as a consultant across youth, public and third sector spaces, with a commitment to social mobility and with a strong focus on work being genuinely useful. He currently works with Barbican, Guildhall School of Music & Drama, Bloody Good Period, and is a trustee with Sour Lemons.

Aba Amoah

Instagram: @aba_abroad / Twitter: @cocoabsss

I’m Aba Amoah, I am obsessed with 80s music. I am an innovative seamstress. As a creative, I realise how important it is to pave the way for others to do the same.

Can you sum up 2020 for us?
2020 was a year of insight and self-reflection. Since knowledge is power, I believe 2020 was also the year of radical awareness. We can now use this information to shake up our worldviews for the better.

What is your day to day work, and what do you love about it?
I am a professional seamstress. I love seeing people’s reactions to the clothes I create. I am also a political researcher working with several organisations and campaigns. It feels amazing that I’m making an active change.

Whose work from your industry has really helped shape your own work, and why?
Mimmy Yeboah is a self-taught womxn’s designer. It’s inspiring to see a powerful womxn of similar heritage at the top of her game. Also, Dawn Butler - a strong MP, unafraid of being outspoken.

How does your day job influence your work with Justice for Black Lives (JfBL)?
My job allows me to gain insights into political campaigns and current affairs. I’m involved with many local governments that will enable me to see how much our work has impacted local communities.

What does the work of JfBL mean to you personally?
Everything. I have been able to constantly educate myself and meet people from a range of life experiences. I hold community dear to my heart and touching the lives of my people has been so fulfilling.

What change would you like to see across London and the UK’s creative institutions in 2021?
Institutions should ensure that when they present Black art they are not just exhibiting our pain, this is voyeuristic. Present nuanced discussions of Blackness, our pain, and our Joy so as not to capitalise on Black trauma porn.

What advice would you give to UK arts institutions on how they can make progress in their anti-racism work?
It’s time for arts institutions to ‘pass the mic’: accepting and acting on the fact that authority over artistic discourse does not just belong in white hands.

'Present nuanced discussions of Blackness, our pain and our Joy so as not to capitalise on Black trauma porn'

How can we maintain the energy and momentum from spring and early summer this year, avoiding the fatigue and frustration that could creep in?
To be engaged, keep reposting educational material like ours and other anti-racist accounts for resources. Education is key, we need to continue to learn, give community support, and be actively anti-racist in our daily lives.

What reason do we have to feel positive when it comes to anti-racism work here in the UK?
The narrative surrounding responsibility has definitely changed for the better. Voices belonging to those who have been continuously oppressed are now being amplified and this is the start of radical progression.

Baby Blue

Instagram: @babyblue_ldn

I’m Baby Blue, self-proclaimed public speaker. I now hold decolonisation workshops for young people in my local area. Like my fellow drill artists, I wear a mask because the surveillance state is very real.

Can you sum up 2020 for us?
This year has been full of uncertainties birthed out of crises. The life-threatening pandemic forced us all to question what really matters to us as individuals but also to us as a society.

What is your day to day work, and what do you love about it?
I’m a true academic at heart, studying Social Anthropology, Abolitionism, and Queer Theory. I love studying because it provides theoretical avenues for understanding injustice and how to combat it.

Whose work from your industry has really helped shape your own work, and why?
Combining the works of Foucault and bell hooks has been fundamental in understanding the history of power and how it affects those of overlapping minoritised identities in both interpersonal and structural ways.

How does your day job influence your work with Justice for Black Lives (JfBL)?
Educating myself on privilege allows me to be conscious of the power dynamics present within JfBL. We aim to function as a microcosm for progressive society: where the most oppressed voices amongst us take centre stage.

What does the work of JfBL mean to you personally?
JfBL channels my rage. Living amongst white supremacy is heavy, but taking steps to support our community makes it all worthwhile. I’m comforted knowing that in this oppressive context, the Joy we cultivate here is radical.

What change would you like to see across London and the UK’s creative institutions in 2021?
In London and especially in the creative industries, we need safe spaces: a normalisation of accountability culture so we can address oppressive behaviour, correct it and move on.

'Living amongst white supremacy is heavy, but taking steps to support Black communities provides us hope '

What advice would you give to UK arts institutions on how they can make progress in their anti-racism work?
Anti-racism must run through institutions, from their workers’ rights all the way to their donations, subsidies, and content creation. UK arts institutions need to decolonise their art: catering to the tastes of all - not just the elite.

How can we maintain the energy and momentum from spring and early summer this year, avoiding the fatigue and frustration that could creep in?
Maintain your energy by balancing your consumption of Black trauma with Black Joy. Supplement your intake of great Black artists with Black Liberation literature and keep fighting the good fight!

What reason do we have to feel positive when it comes to anti-racism work here in the UK?
Since the BLM protests this summer, revolutionary steps have been made by activists and community campaigners to generate abolitionist change. These steps show hope and promise for a better, decolonised Britain.

Ibrahim Hashim

Instagram: @ibsidian_gad

Hi, my name is Ibrahim Hashim but everyone calls me Ibz, even my Nan. I’m from Lewisham, South London (a.k.a Centre of the World), I’m 25 years old and work in radio production.

Can you sum up 2020 for us?
2020 was a year where the world’s population was forced to sit down and self-reflect. Whether we have learnt anything will have to be seen, but long overdue discussions are finally being had, whether we like it or not.

What is your day to day work, and what do you love about it?
I am a freelance audio producer specialising in podcasts and radio. It’s a very fulfilling career for me: I am passionate about music and cultivating thought-provoking conversations, so this job lets me indulge in that.

Whose work from your industry has really helped shape your own work, and why?
Benji B’s Radio 1/1Xtra show is a radio show I have been listening to for almost 10 years now and has left a profound impact on my music taste and how I approach radio.

How does your day job influence your work with Justice for Black Lives (JfBL)?
Many of the organisational skills I use when working in content production are directly transferable to my role as a community organiser; whether it's coordinating resources for programmes or liaising and interacting with other organisations.

What does the work of JfBL mean to you personally?
JfBL in my opinion is a collective of radical and thoughtful individuals with a deep love for their community. With our combined perspectives and skills we can support each other's political aims and promote real change.

What change would you like to see across London and the UK’s creative institutions in 2021?
Creative institutions need to address the elitism that exists within the Arts. Could we collectivise excess resources from these institutions with the aim to benefit those outside of the academic and middle-class world?

What advice would you give to UK arts institutions on how they can make progress in their anti-racism work?
When discussing culture from outside of the Western world, critiques can often verge on antiquated, racist tropes. The belief that western society is the pinnacle of human civilization is dangerous and needs to be unlearnt.

'The belief that western society is the pinnacle of human civilization is dangerous and needs to be unlearnt'

How can we maintain the energy and momentum from spring and early summer this year, avoiding the fatigue and frustration that could creep in?
First off, engage with your local government, they’re on Zoom now! Study Black History and People’s History. Support Mutual Aid. Radical texts don’t belong on dusty shelves. When you’re done, pass them on. Knowledge is power.

What reason do we have to feel positive when it comes to anti-racism work here in the UK?
2020 is the first time Black people in the UK have seen a mass engagement of white people in anti-racist direct action. The general public is finally ready to dissect the British Identity and the myth that surrounds the Empire.

Rachael Mallam

Instagram: @queenraylahxo

Hi, I’m Rachael Mallam. I’m a mum to a beautiful little girl, also a healthcare nurse and a fashion designer. I absolutely love making people happy. I’m one of those people you meet and never forget.

Photo: Blush Studios

Photo: Blush Studios

Can you sum up 2020 for us?
2020 has been a year of ups and downs for the Black community but we have always and will always come out stronger and ready to push for equal rights and equality against any unjust system.

What is your day to day work, and what do you love about it?
I work as a healthcare nurse. When it comes to my job in healthcare, I enjoy helping others and making people even a little bit more comfortable and happier, no matter their predicament.

Whose work from your industry has really helped shape your own work, and why?
My mum was an amazing nurse and I fondly look back on the passion she had for caring for others. I carry this passion in my career and justice work now. My mum truly crafted me into the person I am today.

How does your day job influence your work with Justice for Black Lives (JfBL)?
As a healthcare nurse, I do a lot of reading and research on the inadequate care Black and Brown people receive from the NHS because of the legacy of racial injustice in the healthcare sector.

What does the work of JfBL mean to you personally?
JfBL is one of the blueprints for the change needed in Britain. Young, Black people from different backgrounds coming together to fight for a common goal - it’s my idea of radical love, it’s what the world needs.

What change would you like to see across London and the UK’s creative institutions in 2021?
I would like to see the UK’s creative institutions be open to diversity, welcoming different communities, and being open to different cultures and their different forms of creativity.

What advice would you give to UK arts institutions on how they can make progress in their anti-racism work?
When it comes to anti-racism you have to look at yourself and the people around you and ask yourself if you’re doing enough to help the anti-racism movement. Self-awareness is very important.

'As a healthcare nurse I do a lot of reading and research on the inadequate care Black and Brown people receive from the NHS because of the legacy of racial injustice in the healthcare sector'

How can we maintain the energy and momentum from spring and early summer this year, avoiding the fatigue and frustration that could creep in?
Always remember we have to be resilient and remind ourselves that if we don’t help make a change the next generation will have to do what we couldn’t do, and we want a better world.

What reason do we have to feel positive when it comes to anti-racism work here in the UK?
Look back at the protests that happened this summer and the togetherness we all experienced and what we achieved in a short time. Nothing can stop us from reaching our goals if we keep pushing and believing.

Tianna Arnold

Instagram: @tiannaxarnold / Twitter: @teearnold_

My name’s Tianna Arnold, I’m from South London and 20 years old. I can either be extremely loud and energetic or completely quiet and antisocial! I switch depending on who I’m around and how I’m feeling. I'm creative and love anime.

Photo: @tomtrevatt

Photo: @tomtrevatt

Can you sum up 2020 for us?
2020 has been an emotional roller coaster! I feel like everyone has mentally gone through so much. I get the impression we are all coming out of it as stronger and more resilient human beings.

What is your day to day work, and what do you love about it?
I’m an acting student at drama school. I love how much it challenges me and allows me to develop my art. I’m so passionate about growing and where I am allows me to do that.

Whose work from your industry has really helped shape your own work, and why?
Michaela Coel because she has shown me how possible it is to write your own story. ‘I May Destroy You’ really sparked something in me. Her determination is outstanding and inspiring.

How does your day job influence your work with Justice for Black Lives (JfBL)?
It’s the other way round! JfBL adds value to me as an actor. Before I spoke at protests, I was extremely shy. I have now gained the confidence and assertiveness that I needed as an actor.

What does the work of JfBL mean to you personally?
Our work makes me feel like we can win the fight against racism. It gives me hope. I get inspiration from the team to keep going and it just makes life feel that bit easier.

What change would you like to see across London and the UK’s creative institutions in 2021?
I would definitely like to see more representation! More art from Black people, art which shows our true history. I want more opportunities for people from working-class backgrounds to view art for free.

What advice would you give to UK arts institutions on how they can make progress in their anti-racism work?
I want more opportunities for people from working-class backgrounds to access and study art for free.

'Don't stop encouraging people to educate themselves. If you hear about a protest or outreach project, advertise it. Continue to call people out. Don’t be afraid to organise things yourself'

How can we maintain the energy and momentum from spring and early summer this year, avoiding the fatigue and frustration that could creep in?
Don't stop encouraging people to educate themselves. If you hear about a protest or outreach project, advertise it. Continue to call people out. Don’t be afraid to organise things yourself.

What reason do we have to feel positive when it comes to anti-racism work here in the UK?
We now have a lot more allies who are willing to take their anti-racism into their homes and have those uncomfortable conversations. Racism is not just a Black issue and now more non-Black people can see this.

Tierney Fauche

Instagram: @whyreasons

Curly haired girl.
An optimist for opportunities,
with a well-seasoned crazy personality.
Reasoned with an exotic decent,
Where her roots stem from empowerment.
1st Runner up of Miss Barbados UK 2019,
Poet.
Photographer.
I am Tee.

Can you sum up 2020 for us?
2020. This year has challenged many globally as individuals, communities, and countries. It has been a year of revolution, reconciliation, and reflection. It has taught us the unfulfilled promises of tomorrow and the gratefulness of the present.

What is your day to day work, and what do you love about it?
I currently work as a secondary SEN (Special Educational Needs) teacher in West London. Due to the unknown dyslexia I struggled with, I wanted to create a framework of support for those within SEN.

Whose work from your industry has really helped shape your own work, and why?
Marva Collins' style of teaching towards children with behavioural challenges has influenced me to implement high-quality effective teaching through pre-planned interventions. This pronounces universal, targeted, and specialist support towards the child in need.

How does your day job influence your work with Justice for Black Lives (JfBL)?
As an educator within a school and head of social media in JfBL, I use education as a tool for empowerment. I have faith in knowledge as a resource for change. I carry this with my students as well as in the fight against racial injustice.

What does the work of JfBL mean to you personally?
To me, JfBL means seeking change through education and community. We seek to be cogs for the machine of Black Liberation: turning oppression into freedom through knowledge and radical Black love.

'We want to have more equal opportunities within big industries - it gives hope to young people and facilitates self-actualisation'

What change would you like to see across London and the UK’s creative institutions in 2021?
I would like more positive representations of Black womxn, men, Non-Binary folk, and children being modelled within society. We want to have more equal opportunities within big industries - it gives hope to young people and facilitates self-actualisation.

What advice would you give to UK arts institutions on how they can make progress in their anti-racism work?
Challenge the constrictive notion that there is only one way to be British. Create paid internships that celebrate up and coming Black and Brown creatives throughout England, leveling the playing field and honoring talent.

How can we maintain the energy and momentum from spring and early summer this year, avoiding the fatigue and frustration that could creep in?
For non-Black people maintain your energy by reminding yourself that 'it is a privilege to learn about racism as opposed to experiencing it'. For Black people: your mere existence is resistance!

What reason do we have to feel positive when it comes to anti-racism work here in the UK?
Social media has been the main platform for getting Black Liberation to the masses, manifesting itself into tangible change for the Black community. Technology can be on our side!

Get involved

If you're someone who works or wants to work in a creative industry, join us for our Creative Careers sessions. Each session introduces you to leading creatives and artists to discuss the state of the industry and how you can fit into it, shape it and make it work for you.

We are keen to experiment with new ways to get you more involved in future Creative Careers sessions - if you'd like to be considered or have an idea for a collaboration, please contact [email protected]Creative Careers is presented jointly by the Barbican Centre and the Guildhall School of Music & Drama.

Join Young Barbican to be the first to know about the latest sessions and resources.

Young Barbican is our free scheme for 14-25 year olds offering discounted access to unmissable art and entertainment as well as exclusive events and creative opportunities.

About Barbican Guildhall Creative Learning

Barbican Guildhall Creative Learning is a creative alliance pioneering new models for cultural learning across the art forms. Our mission is Creative Skills for Life and every year we deliver more than 40 programmes and events alongside 150 partners to over 22,000 participants.

The Barbican Guildhall Creative Learning programme is made possible through the contributions of our generous supporters, including Arts Council England.