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	Clemens von Wedemeyer The Fourth Wall The Curve, Barbican Art Gallery 29 May-30 August 2009 Media View: 28 May 5-6.30pm Supported by: Arts Council England, Institut für Auslandsbeziehungen and Medienboard Berlin- Brandenburg The Fourth Wall , German artist Clemens von Wedemeyer’s first solo show in the UK, is an ambitious film-based installation which revolves around first encounters between two groups of different people: in anthropological terms referred to as ‘first contacts’. As the title suggests, von Wedemeyer’s work also explores the notion of the ‘fourth wall’, the imaginary divide in theatre which allows the audience to believe that what they see is real, whilst simultaneously enabling the actors to disregard the presence of the audience. Here, the ‘fourth wall’ is compared, metaphorically, to an imaginary wall which divides different groups of people, until the moment of their ‘first contact’. As von Wedemeyer’s piece develops, the concept of the ‘fourth wall’ is investigated in a series of eight interrelated films, many of which are staged and shot in locations around the Barbican Centre. These individual films merge to create a meditation on authenticity, fabrication and belief. The starting point of von Wedemeyer’s narrative is the Philippine group of the Tasaday who were allegedly first ‘discovered’ in the rain forests of Mindanao by Western explorers in 1971. The small group became an instant news story: an extraordinary people living a life untouched by contact with other civilisations, and unchanged since the Stone Age. By the 1980s they were to receive renewed international press attention when anthropologists and journalists declared that the Tasaday had, in fact, been perpetrating an elaborate hoax. Had these 27 people been acting on the world stage all along? In von Wedemeyer’s fiction, protagonists of a play staged at the Barbican Theatre are inspired by the Tasaday. Further film fragments, set in a Barbican apartment, the Conservatory and highwalks, explore the theme of ‘first contact’: first contact between civilisations, between the actors and their audience after the play’s premiere, and between an explorer and an undiscovered group. The films shot by von Wedemeyer are interconnected with documentary footage and interviews which combine to create a narrative that addresses how societies regard one other, and how they approach the unknown. As the story unfolds through the gallery space, the distinctions between reality and fiction becomes ever more blurred and the ‘fourth wall’, that invisible line between belief and disbelief, is challenged. Clemens von Wedemeyer was born in Göttingen, Germany in1974 and currently l ives and works in Berlin, Germany . He has won several international awards for his short films, video works and installations, including the Böttcherstrasse Art Award (2005) and the VG Bildkunst Award for Experimental Film (2002). Von Wedemeyer has exhibited in numerous group and solo exhibitions in Europe and America. Group shows include Skulptur Projekte Münster, Germany 2007; the 4^th Berlin Biennial, Germany 2006; the 1^st Moscow Biennial, Russia 2005 and the Turin Triennial, Italy 2005. ENDS NOTES TO EDITORS PUBLIC INFORMATION The Curve, Barbican Art Gallery, London Opening times: Daily 11am – 8pm Time Out First Thursdays open until 10pm Public information: 0845 120 7550 www.barbican.org.uk Admission free TALKS & EVENTS 29 May/6.30/The Curve Cinema Walking Join artist Clemens von Wedemeyer for an in-depth exploration of The Fourth Wall, including insights into the subject of the work and his process, filming in the Barbican conservatory and beyond. CURVE ART The Curve is the Barbican’s free exhibition space that wraps around the back of the Concert Hall. Launched in May 2006, Curve Art is a series of new commissions inviting contemporary artists to respond to the distinctive architecture of the space. International artists who have previously made new commissions for The Curve are Tomas Saraceno (Argentina); Richard Wilson (Britain); Jeppe Hein (Denmark); Marjetica Potrč (Slovenia); Shirana Shahbazi (Switzerland/Iran); Hans Schabus (Austria); Huang Yong Ping (China); Rafael Lozano-Hemmer (Mexico-Canada) and most recently Peter Coffin (America)

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